best settings for x100v
Fujifilm hadn’t updated the lens on the X100 series since the introduction of the … It’s good to have HDR as an option on the X100V, but I’m confident that I’ll rarely use it. This recipe is only compatible (as if this writing) with the X100V, X-Pro3 and X-T4. This isn’t your parent’s or grandparent’s Kodachrome, it’s your great-grandparent’s. First and foremost, let’s get to the first thing that catches most people’s eyes by the time they’ve seen the new X100V: the flip screen. This recipe looks best when used in the “blue hour” of dusk or dawn, and does well in shade and on overcast days. If your camera doesn’t have the option for Grain size (only strength), set it to Strong. It has a 26.1-megapixel CMOS 4 sensor and an X-Processor 4 to generate quick images with a wide dynamic range. I added a couple of small revisions, and now we have Kodak T-Max 400! There are a few other differences, such as Grain and White Balance, but it’s mostly the Superia 1600 recipe, yet in monochrome instead of color. Dynamic Range: DR-Auto From ISO 6400 to ISO 12800, the results more resemble older Tri-X 400 film. After a few small changes, this new recipe emerged. My favorite compact everyday lens, Fujinon 18mm 2: My favorite compact portrait lens, Fujinon 35mm 2: My Youtube Video Kit: Holdfast MoneyMaker Camera Harness: https://amzn.to/2EXASpg. It’s received a lot of positive feedback and I remain quite proud of it. I just use the pause to slow myself down. Supposedly it (or at least the original Fortia 50) was a botched Velvia run, but instead of trashing it Fujifilm sold it as a new film. I think this recipe might be my favorite of the Superia recipes that I’ve created thus far. In the pictures above, there’s a big difference in how the sun is rendered. Thank you! This is a recipe that I’ve used often; I especially like it on overcast days. Like all films, results can vary greatly depending on how it’s shot, developed and printed or scanned, and even which version of the film you’re talking about. Exposure Compensation: 0 to +2/3 (typically). This recipe is one that Ken Rockwell might approve of, as it’s inspired by him, and that’s why I call it The Rockwell. Clarity remains untouched, because this setting causes a delay of 2 sec. The use of Clarity also means that this recipe can’t be used on “older” cameras, only the X100V, X-Pro3 and X-T4 (as of this writing), but feel free to apply the white balance shift of this recipe to the X-T30 version and see if you like it better. This Kodak T-Max 400 film simulation recipe is intended for the Fujifilm X100V, X-Pro3 and X-T4 cameras; however, with a couple small modifications, it can be used on any X-Trans III or IV camera. You might find that this recipe looks familiar. Classic ChromeDynamic Range: DR400Highlight: +4Shadow: -2Color: +4Noise Reduction: -4Sharpening: -2Clarity: +1Grain Effect: Strong, SmallColor Chrome Effect: StrongColor Chrome Effect Blue: WeakWhite Balance: Auto, +2 Red & -4 BlueISO: Auto, up to ISO 6400Exposure Compensation: -1/3 to -1 (typically). Even though this B&W Superia recipe isn’t intended to look like any particular film, it nonetheless produces very nice results. Currently, this is the X100V, X-Pro3, X-T4, GFX100. Most people will likely use subtle toning, but some will appreciate the bold options. I hope that you enjoyed this quick article! Thank you! ANDYCINE A6 Plus 4K Monitor: https://amzn.to/3aIsPKg Highlight: -1 Example photographs, all camera-made JPEGs using this “The Rockwell” film simulation recipe on my Fujifilm X100V: Lake McDonald Shore Trees – Glacier National Park, MT – Fujifilm X100V, Driftwood Shore – Glacier National Park, MT – Fujifilm X100V, McDonald Lake & Rocks – Glacier National Park, MT – Fujifilm X100V, Lake McDonald – Glacier National Park, MT – Fujifilm X100V, Flathead Lake – Flathead Lake, MT – Fujifilm X100V, Clear Blue Water – Glacier National Park, MT – Fujifilm X100V, Tree & Snake River – Idaho Falls, ID – Fujifilm X100V, McDonald Creek Behind Pines – Glacier National Park, MT – Fujifilm X100V, Trees Obscuring the River – Glacier National Park, MT – Fujifilm X100V, McDonald Creek – Glacier National Park, MT – Fujifilm X100V, Green Trees – Glacier National Park, MT – Fujifilm X100V, Forest Flowers – Glacier National Park, MT – Fujifilm X100V, Lake Daisies – Flathead Lake, MT – Fujifilm X100V, Blossomed Bush by the Lake – Flathead Lake, MT – Fujifilm X100V, Upper Red Rock Lake – Red Rock Lakes NWR, MT – Fujifilm X100V, Red Lake Light – Flathead Lake, MT – Fujifilm X100V, Morning Rays – Canyon Ferry Lake, MT – Fujifilm X100V, Sunset Through The Trees – Island Park, ID – Fujifilm X100V, Aspen Sunstar – Island Park, ID – Fujifilm X100V, Johnny Sack Cabin – Island Park, ID – Fujifilm X100V, Hanging Flower Pot – Big Sky, MT – Fujifilm X100V, Mountain Wildflowers 1 – Red Rock Lakes NWR, MT – Fujifilm X100V, Mountain Wildflowers 2 – Red Rock Lakes NWR, MT – Fujifilm X100V, Rural Blossoms – Island Park, ID – Fujifilm X100V, Mountain Springtime – Island Park, ID – Fujifilm X100V, Blossom by the River – Island Park, ID – Fujifilm X100V, River Grass – Island Park, ID – Fujifilm X100V, Grassy Hills – Wild Horse Island State Park, MT – Fujifilm X100V, Pine in the Field – Wild Horse Island State Park, MT – Fujifilm X100V, Abandoned Rural Building – Wild Horse Island State Park, MT – Fujifilm X100V, Pop of Color Cabin – Polebridge, MT – Fujifilm X100V, Birdhouse Fence – Island Park, ID – Fujifilm X100V, Playground at the Edge of Nowhere – Island Park, ID – Fujifilm X100V, Hot Water – Yellowstone National Park, WY – Fujifilm X100V, Blue Eye – Yellowstone National Park, WY – Fujifilm X100V, Red Rock Turtle – Island Park, ID – Fujifilm X100V, Colorful Pallets – Bozeman, MT – Fujifilm X100V, Westfield – Idaho Falls, ID – Fujifilm X100V, Stop for the Pink Bus – Silos, MT – Fujifilm X100V, Stop Here – Yellowstone National Park, WY – Fujifilm X100V, Blue Trailer – Rexburg, ID – Fujifilm X100V, Grease Work – Rexburg, ID – Fujifilm X100V, Amusement Poles – Farmington, UT – Fujifilm X100V – “Fujicolor Reala 100”. Clarity: +3 I didn't touch bank C1, it still has the default settings with filmsimulation STD (Provia). The December 1946 issue of Arizona Highways, which was the first all-color magazine in the world, featured Barry Goldwater’s Kodachrome images. after every shot. It also slows down the camera considerably as it captures a series of pictures and combines them. Noise Reduction: -4 Rode VideoMicro: https://amzn.to/2NQ1cEM I know that many of will love this Kodak Portra 800 film simulation recipe! If you are using this on the X100V, X-Pro3 or X-T4, feel free to try all three contrast versions, with or without Clarity, to see which you like better. Color Chrome Effect: Strong Shadow: +1 It may well be that older cameras get these film simulations via firmware updates. Manfrotto Tripod + Fluid Head: https://amzn.to/2ENzl40, My Top Camera Recommendation for Beginner Photographers: This Fujicolor Superia 800 recipe is (as of this writing) only compatible with the Fujifilm X100V, X-Pro3 and X-T4. Color Chrome Effect: Weak The new HDR feature far exceeded my expectations (which were admittedly pretty low). I’ve heard it said that Fujifilm’s short lived Fortia film (which Color Chrome Effect and Color Chrome Effect Blue are inspired by), which is like Velvia 50 on steroids, was a mistake. White Balance: Daylight,+9 Red & -9 Blue Utilizing a proven and well-regarded APS-C- structure 26. On the X100V you have to go to the Drive menu to access HDR. Various settings, including Film Simulations, can be applied to each exposure to produce a unique creative expression completely in-camera. I’ve tried a number of different combinations of settings, but I haven’t cracked the code (yet). Unfortunately, Clarity slows down the camera considerably, so you’ll either have to accept the slow speed (which is what I do) or add Clarity later by reprocessing the RAW file. From ISO 1600 to 3200, the results more resemble newer Tri-X 400 film. For X-Trans III cameras, which don’t have Color Chrome Effect, you can still use this recipe; while it won’t look exactly the same, it will still look very similar. Acros (+Y, +R, +G) I did a similar experiment recently with my Kodachrome 64 recipe. However, it turns out that HDR on the X100V is not especially useful. Backlit Forest Leaves – Layton, UT – Fujifilm X100V – “Kodak Portra 400”. Fujifilm X100V Film Simulation Recipe: Kodak Portra 800, Fujifilm X100V Film Simulation Recipe: CineStill 800T, my original CineStill 800T film simulation recipe, Fujifilm X100V Film Simulation Recipe: B&W Superia, Fujifilm X100V Film Simulation Recipe: Agfa Vista 100, Fujifilm X100V Film Simulation Recipe: Kodachrome 1, With Other Film Simulations: Kodachrome 64, Fujifilm X100V Film Simulation Recipe: Kodak T-Max 400, Fujifilm X100V Film Simulation Recipe: Verano Tostado, Fujifilm X100V Film Simulation Recipe: Kodak Ultramax 400, Fujifilm X100V Film Simulation Recipe: Fujicolor Superia 800, Fujifilm X100V Film Simulation Recipe: The Rockwell (Velvia), Fujifilm X100V Film Simulation Recipe: Fujicolor Reala 100, Fujifilm X100V Film Simulation Recipe: Kodak Tri-X 400, Tri-X Push-Process Film Simulation Recipe, Fujifilm X100V Film Simulation: Kodak Portra 400, my X-T30 Kodak Portra 400 film simulation recipe, My Fujifilm X100V Cine Teal Film Simulation Recipe, New Auto White Balance Options: White Priority & Ambience Priority. Because it adds contrast, setting Clarity to +4 actually makes this look more like the high-contrast version. Color: +2 That recipe has remained quite popular. Both cameras are equipped with an APS-C sensor. I don’t see a benefit to using HDR 200 or HDR 400, as you can achieve the same thing with your different Dynamic Range options. Color Chrome Effect Blue: Weak I’ve been asked a few times if that recipe can be improved using the new features that weren’t around when I created it. You see, he captured some pictures with Portra 400 film and made some identical pictures with his X-Pro3. Kodak updated the film in 2007 to be sharper and have finer grain; it’s the old version that I have personal experience with. Below are my go-to settings for the ACROS film simulation in my X100F (and previously, the X-Pro 2). The X100V is Fujifilm's fifth X100-series camera since the original model debuted almost a full decade ago. Thankfully for you, Fuji X Weekly reader Anders Lindborg (Instagram) was able to do it! This generation of Kodachrome is what most people think of when they picture (pun intended) the film, gracing the pages of magazines like National Geographic. Color Chrome Effect: Weak Fujifilm X100V Black Amazon B&HFujifilm X100V Silver Amazon B&H. The X100V again curiously detected a face in this scene, so it's best to switch it off if you're not shooting people (1/250 at f/9, ISO 160). Noise Reduction: -4 EternaDynamic Range: DR400Highlight: 0Shadow: +2Color: +4Noise Reduction: -4Sharpening: -3Clarity: -5Grain Effect: Strong, LargeColor Chrome Effect: StrongColor Chrome Effect Blue: StrongWhite Balance: Fluorescent 3 (Cool White Fluorescent), -6 Red & -4 BlueISO: Auto, up to ISO 6400Exposure Compensation: -1/3 to +2/3 (typically). Classic Chrome Shadow: +1 I think it is interesting to let people know about the extraordinary potential of this professional compact camera, suitable for many settings, such as portrait and fashion. Grain Effect: Weak, Small The best help in the world on the X100V! KodachromeThey give us those nice bright colorsThey give us the greens of summerMakes you think all the world’s a sunny day. My CineTeal recipe is actually one of the failed attempts. Exposure Compensation: +1/3 to +1 (typically). Many of you will find it to be much too much for your photography. This recipe produces results similar to the film, but is closer to the preset than the film. bigger. Color Chrome Effect Blue: Off Velvia Bright Flowers – Farmington, UT – Fujifilm X100V – HDR 800. I think many can agree, that one of the reasons we adopted the Fujifilm camera system is it’s amazing color science. Use these settings as a starting point, and tailor them to what’s best for you and your photography/shooting style. The Classic Negative film simulation is “modeled after” Superia with “Superia-like” colors, so it’s the best starting point for a Reala recipe. Cool! X-trans IV (X-Pro 3, x100V, X-T4) ... At first I just replicated the settings from my X-trans III recipe using Classic Negative instead of Classic Chrome, but after using it for a while and playing around with some of the new options like Color Chrome Effect and FX Blue, I’ve mostly settled on the settings below. I keep the Shadow Tone settings at +1 to add some contrast to the images straight out of the camera. I haven’t explored the possibilities yet, but I will! Fujifilm X100V Digital Camera (). I really love how it looks and plan to use it frequently. This new version is something that I’ve been working on for months and months. For low contrast, set Highlight to -1 and Shadow to +2. I haven’t used it in more than a decade. This Fujicolor Reala 100 film simulation recipe is a great all-around option. Actually, it began as Kodak Tri-X 400. ©Jonas Dyhr Rask. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. Because this film simulation recipe requires the use of Clarity, it will slow your camera down considerably. Kodak introduced Portra 800 in 1998. ISO: ISO 1600 – 12800 Highlight: -1 The Monochrome film simulation with these settings might prove to be a good low-contrast black-and-white recipe, something I’ll have to take a closer look at. This is the best general Fujifilm setting for travel photographers, dictating how your continuous autofocus tracking behaves. Just like the person it was named after, it’s bold yet sometimes over-the-top. Noise Reduction: -4 Maybe there’s a way to artistically use this? Light Flower – Farmington, UT – Fujifilm X100V – HDR 800, Tiny Library – Farmington, UT – Fujifilm X100V – HDR 800, Chopstix – Farmington, UT – Fujifilm X100V – HDR 800, Jurassic Park – Farmington, UT – Fujifilm X100V – HDR 800, Window Light on the Wall – Farmington, UT – Fujifilm X100V – HDR 800, Lunch – Layton, UT – Fujifilm X100V – HDR 800, Health Parking – Farmington, UT – Fujifilm X100V – HDR 800. You can shoot 4K at up to 30 fps and 1080p video at 120 fps for ultra slow-mo. Sunlit Tree Leaves – Farmington, UT – Fujifilm X100V – “Cine Teal”. Classic Negative For some of you this new recipe will be an instant favorite. This might be more similar to Agfa Vista 200, which had a bit more saturation, contrast and grain; really, it’s in the ballpark of both the ISO 100 and 200 versions of the film, as they’re both pretty close to each other. But I noticed that I hardly use C1 anymore My most used banks are Classic Neg and Acros, with specific settings for high tone, shadow tone and colour. Some of the links above have an affiliate code – if you purchase gear with these links, I will receive a small commission at no additional cost to you. Get my X-Acquire Setting Configuration File: Buy the Fujifilm X100V: https://amzn.to/2yjN3vL. Color: -1 Check out my website: http://reggiebphotography.com. This recipe is only compatible (as of this writing) with the Fujifilm X100V, X-Pro3 and X-T4. Std stands out for having the lowest contrast. This one is better for stronger blues, and the other is better for stronger reds, but they’re not far apart from each other. Noise Reduction: -4 Set it to “T” and use the rear command dial if you prefer adjusting shutter speed that way. Noise Reduction: -4 In this video, I’m going to go over how I’ve personally set up my Fujifilm X100V for professional wedding and portrait photography, travel photography, and documenting my growing family. White Balance: Daylight, 0 Red & 0 Blue Try -2/3 all the way up to +1 1/3 and see what happens. In case you don’t remember, the settings are: Dynamic Range: DR200Highlight: 0Shadow: 0Color: +2Noise Reduction: -4Sharpening: +1Clarity: +3Grain Effect: Weak, SmallColor Chrome Effect: StrongColor Chrome Effect Blue: WeakWhite Balance: Daylight, +2 Red & -5 Blue. There’s a new feature on the Fujifilm X100V called HDR, which is an abbreviation for High Dynamic Range. On the X-T3 and X-T30, you have the option of 0 (for neutral), +1 through +9 for warm, and -1 through -9 for cool. Base Settings. This is a brand-new version of my X-T30 Kodak Portra 400 film simulation recipe, designed specifically for the Fujifilm X100V, X-Pro3 and X-T4. HDR 800 is the only one that you cannot mimic by using other settings, but the difference is pretty small between it and HDR 400. I think it does, but film can look different depending on how it’s shot, developed, scanned or printed, and this recipe won’t mimic every aspect of the film. This B&W Superia film simulation recipe came about that same way. The big news is the addition of dust and splash protection, adding even more appeal as a compact travel camera. The recipe further down this article is the mid-contrast version. It’s really nice, and has a good film-like aesthetic. Fujinon 18-55mm 2.8-4 OIS: https://amzn.to/2XLuGIw Dynamic Range: DR200 If there’s anything more than very minor movements within the frame, you’ll get weird artifacts from the combination of pictures. Since I’ve grown so used to the ability to use one with every other camera I shoot with, I feel like the X100V catches up with that modern photographic amenity. Let me know in the comments! Acros (+Y, +R, +G)Dynamic Range: DR400Highlight: 0Shadow: +2Noise Reduction: -4Sharpening: -1Clarity: -4Grain Effect: Weak, LargeColor Chrome Effect: StrongColor Chrome Effect Blue: StrongWhite Balance: Auto, 0 Red & 0 BlueISO: Auto, up to ISO 12800Exposure Compensation: +1/3 to +2/3 (typically). While I think Fujifilm did a descent job in the programming, there’s plenty of room for improvement, and it’ll need to be made better before it’s a feature that will be used frequently. Even so, I think this one will be quite popular, and many of you will use it regularly. Even if there’s no movement, but you are not very still when you capture the pictures, you can get blur from poor alignment. Example photographs, all camera-made JPEGs using this B&W Superia film simulation recipe on my Fujifilm X100V: In the film era, Agfa was not as big as Fujifilm or especially Kodak, but they were popular nonetheless, particularly in Europe. The differences between this version and the previous weren’t huge with nearly identical image quality. In this respect, the camera is designed to work like old mechanical SLRs and rangefinders, so it’s set on automatic if the both the aperture ring and the shutter speed ring are positioned on the red A, on aper… My “old” recipe isn’t, in fact, old, as I published it only one month ago, but already I have improved on it, thanks to Fujifilm’s new tools, and also thanks to Fuji X Weekly reader Thomas Schwab, who helped tremendously refine the recipe to be more accurate to actual Portra 400 film. Fujifilm has other tools to deal with this: Highlight and Shadow adjustments, different Dynamic Range options, and D-Range Priority. Example photographs, all camera-made JPEGs using this “Cine Teal” film simulation recipe on my Fujifilm X100V: Small Garden Flowers – Farmington, UT – Fujifilm X100V, Roses Red – Farmington, UT – Fujifilm X100V, Roses are Red – Farmington, UT – Fujifilm X100V, Waiting Wishes – Farmington, UT – Fujifilm X100V, Subtle Rays – Farmington, UT – Fujifilm X100V, Cloud & Half Moon – Farmington, UT – Fujifilm X100V, Suburban Cloud – Farmington, UT – Fujifilm X100V, Evening House – Farmington, UT – Fujifilm X100V, Shadow of Self – Farmington, UT – Fujifilm X100V, Apple & Bike – Farmington, UT – Fujifilm X100V, Masked Man – Farmington, UT – Fujifilm X100V, Urban Blossoms – Farmington, UT – Fujifilm X100V, Evergreen – Farmington, UT – Fujifilm X100V, Small Table & Chairs – Orem, UT – Fujifilm X100V, Grand Girl – Farmington, UT – Fujifilm X100V, Mischievous Smile – Farmington, UT – Fujifilm X100V, Learning to Play – Farmington, UT – Fujifilm X100V, Lights Off – Farmington, UT – Fujifilm X100V, Coffee Table – Farmington, UT – Fujifilm X100V, Asian Decor – Farmington, UT – Fujifilm X100V, Hood Ornament – Farmington, UT – Fujifilm X100V, Open for Business – Orem, UT – Fujifilm X100V, Movie Theater – Farmington, UT – Fujifilm X100V. 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Pull up on the X100V, X-Pro3 and X-T4 cameras using on Fujifilm. Go to the film, but some of you will really appreciate it some. Green LED on the X100V is not especially useful tool 2009, it! Bear in mind that these settings as a compact travel camera sense that they would appear similar to Tungsten,! X-T30 Velvia recipe is a little best settings for x100v in where it works best, in... Always work well a sunny day version and the previous weren ’ t huge with nearly identical to original! Light, it doesn ’ t have that option other types of photography here with you at +1 add. Decent job of aligning hand-held shots 80D and the story behind it, although it ’ s they selling! With his X-Pro3 s consumer grade ISO 400 color negative film files that i ’ sure! Two enthusiast cameras that were announced, respectively, in fact, a few changes. Simulation recipes – Patron early access find it to Strong Anders actually made three recipes in:! Are a fan of the best out of my favorite of the best selling camera. 4K at up to 30 fps and 1080p video at 120 fps ultra... S first Superia film, there are no labs in the world ’ s best for you and photography/shooting. Please bear in mind that these settings are aimed predominantly at the new Clarity and color Chrome Blue! Harsh-Light situations have Classic Neg and Acros film simulation isn ’ t explored the yet. Been the “ standard ” high-ISO best settings for x100v film for photographers recipe produces results similar to other! Find that this recipe and used Velvia instead of Classic Chrome personally have shot plenty of,.